![]() ![]() she's on fire and filled with expletives). Entitled "Queen Of The Crime Council," it's a bit lifted from the film and prominently features Lucy Liu getting ballistic (i.e. The album's first snippet of dialogue comprises the fifth track. This mood is immediately transposed by the next track, Bernard Herrmann's "Twisted Nerve," which begins as a jovial whistle tune and then culminates with clashing, unnerving symphonic cacophony. Luis Bacalov's piece is a mixture of maudlin love story and spaghetti western, mixing syrupily sweeping orchestration with haunting harmonica. "The Grand Duel (Parte Prima)" continues the shift back to more melancholic ambiance. Charlie Feathers serves up the countrified sock hop honky tonk twang of "That Certain Female," a song filled with warbling, crooning, and serious roadhouse bump, thus making it the perfect complimentary juxtaposition to the somber tone created by the previous song. Brilliant and poignant, both on its own and in the context of the film and a great selection with which to start an album off with. The album commences with the sultry and smoky Nancy Sinatra delivering a down tuned, mournfully seductive rendition of Sonny Bono's "Bang Bang (My Baby Shot Me Down)." It's a classic slice of darkly lit lounge pop, the kind of tune you'd expect to hear accompanying a twisted scene from a long lost David Lynch film. And as always, the soundtrack works like a charm in the film and stands pretty much on its own two feet when separated from its visual kin. As can be expected, the sonic range on the soundtrack to Tarantino's fourth film, Kill Bill, is equally eclectic, covering musical ground that ranges from torch song burn a la Nancy Sinatra to spaghetti western instrumentals, Japanese Nuevo punk, and OG funk.
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